There is a perfect image to describe the new film directed by Michele Placido, and that is a great engine that is idling at a standstill, leaving the same spot for 120 minutes. It may seem harsh, but probably this is the true nature of 'Vallanzasca Angels of Evil', the film pretentious, full of self of the author and perhaps just crushed to death by him. But from the beginning, by Renato Vallanzasca, the character skillfully reconstructed by Kim Rossi Stuart, who in the seventies guilty of many crimes, so much to be condemned twice life imprisonment. The film traces the birth and the end of man, flying in part on the criminal and painting the character as a gentleman thief. In doing so, however, the film falls into ruin on his own hectic, overly fast, so as to disorient the viewer with its many changes and with a flurry of people more or less dashed. And it is the desire to talk too much about 'Renatino' to destroy the film, the camera loved him attack him without giving a logical sense to the facts that happen around this time personeggio protagonist when (unfortunately) solo. Stuart does his best to give credibility to a caricature, too close to the figure of heartthrob than to that of criminal and too flat to be able to raise the slightest interest around the events that involve them. Surrounded by controversy over an alleged role cut out for the murderer as a hero, 'Vallanzasca Angels of Evil' proves to be rather harmless and outdated. 'It has an enviable pace' according to Corriere della Sera, in short, the machine stops, however, is always there.
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